Itz okay ryan. At least ur still pritty. |
Remember how I wrote about "Drive" (2011) last year and was all annoyed at how much buzz it was getting in spite of having no characters and a weak-at-best plot? Remember how, in spite of wanting to believe that several culture commentators, trusted film criticism sites, and publications couldn't possibly be wrong in their unanimous support of this film, I decided that they were completely delusional?
Well, I suppose I'm a bit vindicated. "Drive" got roundly "snubbed" by the Oscars, not getting nominated in any major categories (Note: "snubbed" is in quotes because being "snubbed" implies being denied something you deserve, and as you might guess, in this case I find that characterization a bit inaccurate). I hardly look to the Academy as an unimpeachable judge of good cinema, so while I take its rejection of any movie with a grain of salt, I would nevertheless be lying if I said I didn't experience a tiny smidgen of schadenfreude when I learned that all that "best movie of the year" crap didn't pan out, little gold statue-wise.
No, it certainly didn't pan out... Or did it? See, while the movie didn't get the best picture nod or recognition for best screen play (Aahahahahaha, what a ridiculous proposition!), it did get nominated in one category: Best Sound Editing.
You may remember that I noted the sound editing in "Drive" in my original post on the movie:
There were definitely some charmingly realistic acoustic tricks thrown in to make sure you knew someone's face just got stomped in, but the violence was so random, senseless, and so extreme as to not seem plausible in the real world. It's desensitizing, achieving exactly the opposite effect of the violence in "Eastern Promises". That, I would argue, is pretty troubling....Notice that little compliment buried in there? Notice how I begrudgingly acknowledge the realism with which sound conveyed the rending of tissue and brutal crunching of little bones as shoe meets face?
Guys, I totally foresaw this nomination! And, despite my selection of this movie as the worst in 2011, I have to concede: "Drive" definitely deserves the Oscar for sound editing. If I can still tell precisely what kind of violence is transpiring even with eyes averted, that's some pretty masterful manipulation of sound.
So: Touché "Drive." You win this round.
<3